The FINANCIAL — New York, August 01, 2011—Shining a spotlight on one of its best kept secrets—its denim design studio in Los Angeles—Gap’s new global marketing campaign tells the story of its 1969 fall collection from the inside out.
Starting with the personalities behind the denim, 1969: L.A. and Beyond gives a transparent look at the designers and how they come together each day to create the latest in denim fits, fabrics and washes. Taking it from the studio to the real world, the campaign also shows how the denim comes to life in various cities by the people who wear it.
Led by creative director Rosella Giuliani, the 1969 design team is a collective of artists, musicians, action sports junkies and trendsetters. Women’s design director, Nicole King-Burroughs, turns to art for style inspiration, while women’s merchant, Masako Konishi, views fashion as more instinct than intellect, applying emotion as opposed to regulated rules to make her fashion choices. Men’s design director, Jason Ferro, brings his background as a rebel skater, surfer and musician to the design table, while men’s merchant, Cale Margol, uses denim as a canvas to tell a modern and progressive story. Wash specialist, Rob Crews, started in the industry when he was just 16 years-old and fell in love with the creative process of taking raw denim into a washed state through different hand treatments.
Providing further inspiration to the design team, the 1969 studio feels like the personal atelier of a denim architect, not the headquarters of a global brand. Once a cigar factory, the vast and open loft studio is based in the heart of the garment district on West Pico Boulevard in downtown Los Angeles. This Gap denim epicenter is an ever-changing canvas for ideas, featuring art books, mood boards, vintage buttons, Japanese work wear catalogues and back issues of surfer magazines, set against a backdrop of sun-filled floor-to-ceiling bay windows.
“When I first joined Gap, I was surprised by the unexpected, untold stories across the brand—particularly about our people and the real-life experiences and situations they’re inspired by,” said Seth Farbman, Gap’s Chief Marketing Officer. “Fall is our first step in sharing what’s different and inventive at Gap, and we’re starting with our 1969 studio. We want our customers to see who’s behind the product and how their individual personalities and lifestyles influence what we offer in our stores around the globe.”
1969 Fall Collection
Gap’s 1969 fall collection continues to demonstrate Gap’s commitment to bringing the same premium fabrics and fits as other premium denim brands at a much more accessible price point. Taking denim beyond the five-pocket blue jean, the fall collection explores the idea of “jeanswear meets sportswear.” It evolves the line from jeans to stretch leggings, cords, tailored dress shirts and jackets. With an emphasis on sophisticated fabrics, the collection feels modern and sexy while maintaining a denim lifestyle vibe.
The women’s signature Legging Jean is fresh for fall in a variety of new fabrics and colors, including the Ponte Knit Legging in black and olive, the Gummy Legging in black and khaki, and the Legging Cord in both neutral and pop colors. Also big for fall is the High Rise Pintuck Trouser in a non-traditional indigo denim, the Skinny Boot in black, and the fashion crop in fits such as the Cropped Slim, the High Rise Cropped Straight and the Cropped Boot.
The menswear collection is also focused on signature fits in new fabrics and colors. Highlights include the Drop Crotch Skinny in charcoal, the Slim Trouser in dolphin grey, the Super Skinny Clean in grey and the Slouchy Slim Rocker in black. The collection also features pieces that are either a natural extension of denim or that pair nicely with jeans, including the lightweight chambray jacket, a lightweight denim blazer and tailored dress shirts.
“Fabric and fit are the keys to the fall collection— focal points of every piece. We’ve taken beautiful and interesting fabrics and then tested their reaction to different cuts, washes and dyes. The result is a range of new styles and fits that stretch beyond denim into a broader collection,” said Rosella Giuliani, Gap’s 1969 Creative Director.
Discussion about this post